Review: The Tempest, Ustinov Studio, Theatre Royal Bath – ‘A production that demands, and deserves, your full attention’

At the Ustinov Studio this month, a magician’s last hurrah is newly-appointed artistic director Deborah Warner’s first hello.

The Tempest is widely considered to be Shakespeare’s swan song, the play which explores his creative genius and explains his waning skill.

Prospero, the exiled Duke of Milan, uses the last of his supernatural, island-induced powers to summon up the cast of his life story in a bid to exact revenge and bestow forgiveness so he can live out his days in peace. Old rivalries are laid to rest and new allegiances are forged in an afternoon of wonder, fear, retribution and acceptance.

It’s a staggering piece of writing, for which Deborah Warner’s production – uncut and sparely staged – is a remarkable show of respect.

Sucked in from the start by a truly frightening sea storm, we are cast ashore on Christof Hetzer’s set of driftwood, plywood, bread crates and pebbles, with a stunningly effective video beach design by Torge Møller.

The Tempest – Nicholas Woodeson as Prospero – photo: Hugo Glendinning

Nicholas Woodeson makes Prospero’s benign cruelty entirely credible as he forces the island’s indigenous creatures to bend to his will in exchange for their freedom. As he finally prepares to release his daughter to adulthood and romantic love, we see his (Shakespeare’s?) preparation to hand over the reins.

Tanvi Virmani is in her first professional production here, but earns her place in this solidly experienced company – she delivers Miranda’s innocent wisdom with absolute conviction. Their relationship is more equal and touching than any other version I have seen.

As the shipwreck survivors arrive and try to make sense of their other-wordly surroundings, we are introduced to a truly gross Caliban – whose disgust at his own need for servitude is a metaphor for the playwright’s need for applause, made all the more clear in Prospero’s final plea.

Gary Sefton as Stephano and Stephen Kennedy as Trinculo – photo: Hugo Glendinning

As the hours go by with no sign of civilisation, the cocky servants – horribly and delightfully played by Stephen Kennedy and Gary Sefton – and the sharp suited aristos soon succumb to their baser instincts. Until Prospero decides it is time to keep to his word and release everyone from their pain.

Dickie Beau is mesmerising, throughout. Moving like water, with a combination of vocal delivery and lip-synching, he is the most un-human Ariel you could wish for. His intensity is astonishing.

This is a high concept production which demands, and deserves, your full attention. Actors at the top of their game and a design team with huge ideas, fill this small space and literally work their magic. With her chosen company and clear commitment, Deborah Warner has created the perfect storm.

Dickie Beau as Ariel and Nicholas Woodeson as Prospero – photo: Hugo Glendinning

The Tempest is on at Bath Theatre Royal’s Ustinov Studio until August 6. Tickets are available via: www.theatreroyal.org.uk/whats-on/?ven=10

Main photo: Hugo Glendinning

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