live review

• Music / Reviews

  Review: Lankum, Bristol Beacon – ‘Jaw-dropping performance’

  Hair-raising soundscapes and laugh out loud anecdotes

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• Music / Review

  Review: Matt Deighton, The Folk House – ‘Utterly mesmeric’

  Matt Deighton beautifully, delicately and gently smashed hearts into tiny pieces

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• Dance / Mayfest 2022

  Mayfest 2022 Review: HABITAT, The Galleries – ‘A bold and brilliant production that pushes boundaries to the limits’

  Award-winning choreographer Doris Uhlich delivers a raw and visceral experience

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• Dance / Mayfest 2022

  Mayfest 2022 Review: Impermanence: Communion, Night One, The Mount Without – ‘Instances of profound tenderness and humanity’

  A double bill led by dancer and choreographer Jane Mason and composer and artist Li Yilei

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• Theatre / Mayfest 2022

  Mayfest 2022 Review, Be Part Of, Trinity Centre – ‘Beautifully questions the conflict between belonging and individuality’

  Immersive theatre with a powerful message from Monika Truong and her collaborators

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• Theatre / Mayfest 2022

  Mayfest 2022 Review: A Crash Course in Cloudspotting, The Weston Studio, Bristol Old Vic – ‘Intimate and captivating’

  Raquel Meseguer Zafe has created something that is not only hauntingly beautiful, but inspiring

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• Music / live review

  Review: Meanwhile In Bat Country, The Lanes

  First ever gig for the psych rockers

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• Music / live review

  Review: Lankum, Fiddlers

  A new take on the Irish Folk tradition

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