Film
Bristol Palestine Film Festival 2019: In Vitro + Sci-fi trilogy & Q&A
- Director
- Larissa Sansour, Søren Lind
- Certificate
- TBA
- Running Time
- 120 mins
A retrospective screening of short films by long-term collaborators Danish-Palestinian artist Larissa Sansour and director Søren Lind climaxing with the Bristol premiere of their new work, In Vitro, which was produced by Spike Island. The duo use science fiction to explore issues of history, place and identity. They will introduce the screenings and take part in a Q&A by Skype in this Bristol Palestine Film Festival event.
Here are the official programme notes:
A Space Exodus 5 mins
is needed now More than ever
Dir: Larissa Sansour 2009
A quirky adaptation of Stanley Kubrick’s Space Odyssey in a Middle Eastern political context. The recognisable music score of the 1968 science fiction is changed to arabesque chords, matching the surreal visuals of Sansour’s film.
Nation Estate 9 mins
Dir: Larissa Sansour 2012
Palestinians have their state in the form of a single skyscraper: The Nation Estate. One colossal high-rise houses the entire Palestinian population – now finally living the high life.
In the Future They Ate From the Finest Porcelain 29 mins
Dir: Larissa Sansour and Søren Lind 2016
An exploration of the role of myth for history, fact and national identity. A narrative resistance group makes underground deposits of elaborate porcelain. Their aim is to influence history and support future claims to their vanishing lands. By implementing a myth of its own, their work becomes a historical intervention – de facto creating a nation.
In Vitro 28 mins
Dir: Larissa Sansour and Søren Lind 2019
Set in the aftermath of an eco-disaster, a vast bunker under the biblical town of Bethlehem has been converted into an enormous orchard. Using heirloom seeds collected in the final days before the disaster, a group of scientists are preparing to replant the soil above.
In the hospital wing of the underground compound, the orchard’s ailing founder, 70-year-old Dunia, is lying on her deathbed when 30-year-old Alia, Dunia’s successor, comes to visit her. Alia was born underground and has never seen the town she’s destined to rebuild. The talk between the two scientists soon evolves into an intimate dialogue about memory, exile and nostalgia.
Beautifully shot, this stunning film expertly explores the themes of inherited trauma, exile and collective memory.
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